2,800 Free Images of Pen And Ink And Brush And Wash

metropolitan museum of artbrush and brown washpen and brown inkblack chalkdrawings in the metropolitan museum of artred chalkleadpointmannerism,sienese schooldrawings by domenico beccafumi in the metropolitan museum of artdrawings by domenico beccafumi
Procession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral), Domenico Beccafumi, 1520–50
drawings by domenico beccafumi in the metropolitan museum of artmannerism,sienese school
Procession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral), Domenico Beccafumi, 1520–50
drawings by domenico beccafumi in the metropolitan museum of artmannerism,sienese school
Procession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral), Domenico Beccafumi, 1520–50
drawings by domenico beccafumi in the metropolitan museum of artmannerism,sienese school
Procession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral), Domenico Beccafumi, 1520–50
drawings by domenico beccafumi in the metropolitan museum of artmannerism,sienese school
Procession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral), Domenico Beccafumi, 1520–50
drawings by domenico beccafumi in the metropolitan museum of artmannerism,sienese school
Procession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral), Domenico Beccafumi, 1520–50
drawings by domenico beccafumi in the metropolitan museum of artmannerism,sienese school
Procession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral), Domenico Beccafumi, 1520–50
drawings by domenico beccafumi in the metropolitan museum of artmannerism,sienese school
Procession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral), Domenico Beccafumi, 1520–50
drawings by domenico beccafumi in the metropolitan museum of artmannerism,sienese school
Procession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral), Domenico Beccafumi, 1520–50
drawings by domenico beccafumi in the metropolitan museum of artmannerism,sienese school
Procession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral), Domenico Beccafumi, 1520–50
drawings by domenico beccafumi in the metropolitan museum of artmannerism,sienese school
Nine Studies of the Moses in Santa Maria della Steccata, Parma (recto); Nine Studies for the Eve in Santa Maria della Steccata, Parma (verso), Parmigianino, 1503–40
engravings after parmigianinohigh renaissance,mannerism
Jacob Receiving Joseph's Blood-Stained Cloak (recto); Study of a Bearded Man and The Sacrifice of Isaac (verso), Nicolaes Maes, circa 1653
anonymous gift to the metropolitan museum of artdrawings by nicolaes maes
Nine Studies of the Moses in Santa Maria della Steccata, Parma (recto); Nine Studies for the Eve in Santa Maria della Steccata, Parma (verso), Parmigianino, 1503–40
engravings after parmigianinohigh renaissance,mannerism
Design for a Wall Decoration with a River God and Putti carrying the Symbols of King François I, Léonard Thiry, circa 1530–47
anonymous, french, school of fontainebleau, 16th centurydrawings by léonard thiry
Design for a Wall Decoration with a River God and Putti carrying the Symbols of King François I, Léonard Thiry, circa 1530–47
anonymous, french, school of fontainebleau, 16th centurydrawings by léonard thiry
Design for a Wall Decoration with a River God and Putti carrying the Symbols of King François I, Léonard Thiry, circa 1530–47
anonymous, french, school of fontainebleau, 16th centurydrawings by léonard thiry
Jacob Receiving Joseph's Blood-Stained Cloak (recto); Study of a Bearded Man and The Sacrifice of Isaac (verso), Nicolaes Maes, circa 1653
anonymous gift to the metropolitan museum of artdrawings by nicolaes maes
Jacob Receiving Joseph's Blood-Stained Cloak (recto); Study of a Bearded Man and The Sacrifice of Isaac (verso), Nicolaes Maes, circa 1653
anonymous gift to the metropolitan museum of artdrawings by nicolaes maes
Scene from the Last Judgment, Study for the Fresco Decoration of One of the Segments of the Cupola of the Cathedral of Santa Maria del Fiore in Florence, Federico Zuccari, 1576–79
drawings by federico zuccarirenaissance,mannerism
Drawing, The Immaculate Conception, ca. 1640, circa 1640
drawings in the cooper–hewitt, smithsonian design museumbaroque
Allegory in Honor of Cardinal Antonio Barberini the Younger (1607-1671) (Design for an Engraving), Pietro da Cortona, between 1596 and 1669
drawings by pietro da cortona in the metropolitan museum of artbaroque
Design for a Wall Decoration with a River God and Putti carrying the Symbols of King François I, Léonard Thiry, circa 1530–47
anonymous, french, school of fontainebleau, 16th centurydrawings by léonard thiry
Jacob Receiving Joseph's Blood-Stained Cloak (recto); Study of a Bearded Man and The Sacrifice of Isaac (verso), Nicolaes Maes, circa 1653
anonymous gift to the metropolitan museum of artdrawings by nicolaes maes
Grotesque with a Satyr Feeding a Dragon (recto), Marco Marchetti, 1565
drawings in the cleveland museum of artdrawings of dragons
Procession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral), Domenico Beccafumi, 1520–50
drawings by domenico beccafumi in the metropolitan museum of artmannerism,sienese school
Two Women Annointing the Wounds of Saint Sebastian (recto); Study of a Nude Male Figure (verso), Giovanni Biliverti, between 1585 and 1644
drawings in the metropolitan museum of artgiovanni biliverti
Two Women Annointing the Wounds of Saint Sebastian (recto); Study of a Nude Male Figure (verso), Giovanni Biliverti, 1585–1644
drawings in the metropolitan museum of artgiovanni biliverti
Two Women Annointing the Wounds of Saint Sebastian (recto); Study of a Nude Male Figure (verso), Giovanni Biliverti, between 1585 and 1644
drawings in the metropolitan museum of artgiovanni biliverti
A Column of Oriental Travelers Scattered by a Dust Storm (The Israelites Passing through the Wilderness Preceded by the Pillar of Clouds)., William West, 1820–40
drawings in the metropolitan museum of artwilliam west (painter)
A Warrior Subduing Another (recto); Warrior Seen in Bust-Length with Fantastic Helmet (verso), Maso Finiguerra, 1460–64
drawings in the metropolitan museum of artmaso finiguerra
Two Women Annointing the Wounds of Saint Sebastian (recto); Study of a Nude Male Figure (verso), Giovanni Biliverti, 1585–1644
drawings in the metropolitan museum of artgiovanni biliverti
Design for Glass Painting: Man and Woman in Architectural Setting, Tobias Stimmer, 1539
drawings in the cleveland museum of artdrawings by tobias stimmer
Eighteen Views of Rome: The Basilica of Santa Maria Maggiore, Lievin Cruyl, 1664
eighteen views of rome by lievin cruylbrush and gray wash
Drawing, Sketchbook Page with Romans Fighting an Elephant, ca. 1590, Stradanus, circa 1590
drawings by jan van der straetmannerism
Section of S. Lorenzo in Florence by Marcus Tuscher 1730, Carl Marcus Tuscher
drawings by carl marcus tuscher in the statens museum for kunsthistorical images of san lorenzo (florence)
Various Grotesque Figure Studies and a Strapwork Cartouche (recto); Grotesque with Two Figures and Mask; and A Kneeling Cleric (verso), Andrés de Melgar, circa 1545–60
drawings in the metropolitan museum of artdrawings by andrés de melgar
Various Grotesque Figure Studies and a Strapwork Cartouche (recto); Grotesque with Two Figures and Mask; and A Kneeling Cleric (verso), Andrés de Melgar, circa 1545–60
drawings in the metropolitan museum of artdrawings by andrés de melgar
Various Grotesque Figure Studies and a Strapwork Cartouche (recto); Grotesque with Two Figures and Mask; and A Kneeling Cleric (verso), Andrés de Melgar, circa 1545–60
drawings in the metropolitan museum of artdrawings by andrés de melgar
Design for a Stage Set: Semi-Circular Architectural Ruins, Fountains, and an Obelisk., Ferdinando Galli-Bibiena, between 1657 and 1743
department of drawings and prints, metropolitan museum of artferdinando galli da bibbiena
Design for a Stage Set: Semi-Circular Architectural Ruins, Fountains, and an Obelisk., Ferdinando Galli-Bibiena, between 1657 and 1743
department of drawings and prints, metropolitan museum of artferdinando galli da bibbiena
Design for a Bucket-Like Vessel with a Handle of Interlaced Figures, on a Body Adorned with Bucrania, Garlands, and Three River Gods., Girolamo Genga, 1540–50
high renaissancegirolamo genga
Design for a Bucket-Like Vessel with a Handle of Interlaced Figures, on a Body Adorned with Bucrania, Garlands, and Three River Gods., Girolamo Genga, 1540–50
high renaissancegirolamo genga
The Fenice Theater in Venice (recto); Fragment of a Larger Drawing Representing Part of a Column and a Cornice (verso), Francesco Guardi, between 1712 and 1835
drawings by francesco guardi in the metropolitan museum of artrococo
Standing Male Figure Holding a Sword (King Otto of Hungary; recto); Sketch of Standing Male Figure (verso)., Cigoli
drawings by cigolibaroque,mannerism
Drawing, Battle Scene, 1524–46, Giulio Romano, 1524–46
drawings by giulio romanomannerism
Drawing, Juno, 1731–1807, Mariano Rossi, 1731–1807
drawings in the cooper–hewitt, smithsonian design museummariano rossi
Eighteen Views of Rome: The Ponte Rotto, Lievin Cruyl, 1665
eighteen views of rome by lievin cruylbrush and gray wash over graphite
Eighteen Views of Rome: The Church of Sant'Ignazio, Lievin Cruyl, 1665
eighteen views of rome by lievin cruylbrush and gray wash over graphite
Eighteen Views of Rome: The Campidoglio, Lievin Cruyl, 1665
eighteen views of rome by lievin cruylbrush and gray wash over graphite
Architectural Fantasy: Figures on a Grand Staircase (recto); Studies for the Frame of a Shaped Field (verso), Francesco Guardi, 1712–93
drawings by francesco guardi in the metropolitan museum of artrococo
Architectural Fantasy: Figures on a Grand Staircase (recto); Studies for the Frame of a Shaped Field (verso), Francesco Guardi, 1712–93
drawings by francesco guardi in the metropolitan museum of artrococo
Architectural Fantasy: Figures on a Grand Staircase (recto); Studies for the Frame of a Shaped Field (verso), Francesco Guardi, 1712–93
drawings by francesco guardi in the metropolitan museum of artrococo
Cardinal Paolo Sfondrato Kneeling Before Saint Cecilia, Accompanied by other Saints, Francesco Vanni, between 1563 and 1610
drawings by francesco vannisienese school
Cardinal Paolo Sfondrato Kneeling Before Saint Cecilia, Accompanied by other Saints, Francesco Vanni, between 1563 and 1610
drawings by francesco vannisienese school
Cardinal Paolo Sfondrato Kneeling Before Saint Cecilia, Accompanied by other Saints, Francesco Vanni, between 1563 and 1610
drawings by francesco vannisienese school
Christ in Glory with Saint Lawrence, Saint Anthony of Padua, Saint Ignatius of Loyola, and Saint Eligius., Ubaldo Gandolfi, circa 1766
religious drawings in the metropolitan museum of artdrawings by ubaldo gandolfi
Christ in Glory with Saint Lawrence, Saint Anthony of Padua, Saint Ignatius of Loyola, and Saint Eligius., Ubaldo Gandolfi, circa 1766
religious drawings in the metropolitan museum of artdrawings by ubaldo gandolfi
Man Assisting a Woman to Mount a Horse, with Two Other Figures and a Dog, Giuseppe Bernardino Bison, between 1762 and 1844
drawings of horse riders in the metropolitan museum of artgiuseppe bernardino bison
Man Assisting a Woman to Mount a Horse, with Two Other Figures and a Dog, Giuseppe Bernardino Bison, between 1762 and 1844
drawings of horse riders in the metropolitan museum of artgiuseppe bernardino bison
Standing Man in a Turban, Holding a Sword, Giovanni Battista Tiepolo, between 1696 and 1770
drawings by giovanni battista tiepolo in the metropolitan museum of artrococo,baroque
Standing Man in a Turban, Holding a Sword, Giovanni Battista Tiepolo, between 1696 and 1770
drawings by giovanni battista tiepolo in the metropolitan museum of artrococo,baroque
Design for the Corner of a Decoration (recto); Sketch of Monumental Building with Four Temple-Front Entrances (verso), Jacques de Lajoue, circa 1730
drawings in the metropolitan museum of artjacques de lajoue
Design for the Corner of a Decoration (recto); Sketch of Monumental Building with Four Temple-Front Entrances (verso), Jacques de Lajoue, circa 1730
drawings in the metropolitan museum of artjacques de lajoue
Design for a Crucifix with the Virgin Mary, Saint Mary Magdalen, and Saint John, Polidoro da Caravaggio
drawings by polidoro da caravaggio in the metropolitan museum of artdrawings in the metropolitan museum of art
Figure Studies: Standing and Kneeling Clerics and Religious, Adam and Eve, and a Reclining Skeleton, Francesco Vanni, circa 1602
drawings by francesco vannisienese school
Lady Seated at a Table (recto); Dancing Figures (verso), George Romney, between 1754 and 1803
drawings by george romney in the metropolitan museum of artrococo
Design for a Ceiling (recto); Bearded Man Standing (verso), Giovanni Battista Tiepolo, 1696–1770
drawings by giovanni battista tiepolo in the metropolitan museum of artrococo,baroque
Design for a Crucifix with the Virgin Mary, Saint Mary Magdalen, and Saint John, Polidoro da Caravaggio
drawings by polidoro da caravaggio in the metropolitan museum of artdrawings in the metropolitan museum of art
Design for a Ceiling (recto); Bearded Man Standing (verso), Giovanni Battista Tiepolo, between 1696 and 1770
drawings by giovanni battista tiepolo in the metropolitan museum of artrococo,baroque
Design for a Ceiling (recto); Bearded Man Standing (verso), Giovanni Battista Tiepolo, between 1696 and 1770
drawings by giovanni battista tiepolo in the metropolitan museum of artrococo,baroque
Design for a Ceiling (recto); Bearded Man Standing (verso), Giovanni Battista Tiepolo, 1696–1770
drawings by giovanni battista tiepolo in the metropolitan museum of artrococo,baroque
The Holy Family Appearing to St. Francis, St. Augustine, and St. Roch, Charles-Joseph Natoire
drawings by charles-joseph natoire in the metropolitan museum of artrococo
The Holy Family Appearing to St. Francis, St. Augustine, and St. Roch, Charles-Joseph Natoire
drawings by charles-joseph natoire in the metropolitan museum of artrococo
Esther and Mordecai before King Ahasuerus (Esther 8:1- 12), Giovanni De Vecchi, 1536/7–1615
religious drawings in the metropolitan museum of artgiovanni de' vecchi
Three Figures (recto); Sketches of Kneeling Figures and Putti (verso), Domenico Mondo, between 1760 and 1806
domenico mondobaroque
Architectural Fantasy: Figures on a Grand Staircase (recto); Studies for the Frame of a Shaped Field (verso), Francesco Guardi, 1712–93
drawings by francesco guardi in the metropolitan museum of artrococo
Cardinal Paolo Sfondrato Kneeling Before Saint Cecilia, Accompanied by other Saints, Francesco Vanni, between 1563 and 1610
drawings by francesco vannisienese school
Three Figures (recto); Sketches of Kneeling Figures and Putti (verso), Domenico Mondo, between 1760 and 1806
domenico mondobaroque
Design for the Corner of a Decoration (recto); Sketch of Monumental Building with Four Temple-Front Entrances (verso), Jacques de Lajoue, circa 1730
drawings in the metropolitan museum of artjacques de lajoue
Wandelaars in een park te Zeist, RP-T-1891-A-2479, Johannes de Bosch, 1781
dutch 18th-century drawings in the rijksmuseum amsterdamzeist in the 18th century
Recto: The Month of April (Figures in a park near a castle); Verso: Youth from The Three Ages of Man (?)(Merry-makers), Pieter Coecke van Aelst, ca. 1540
collections of the cooper hewitt, smithsonian design museumdrawings by pieter coecke van aelst
Design for the Obelisk of St. Dominic, Piazza San Domenico Maggiore, Naples, Domenico Antonio Vaccaro, ca. 1737
collections of the cooper hewitt, smithsonian design museumnaples in art
Decorative draft, a box or similar. The corners are finished with fantastic animal heads, apparently for woodwork, Nicolai Abildgaard
drawings by nicolai abraham abildgaard in the statens museum for kunstbrush and brown wash
Tiber Landscape with Castel Sant'Angelo in the Background, Claude Lorrain
drawings by claude lorrainclassicism
Drawing, Design for a Confident, ca. 1780, Richard de Lalonde, circa 1780
furniture drawings in the cooper–hewitt, smithsonian design museumartworks of france in the cooper–hewitt, smithsonian design museum
Paard in een weiland dat aan een hek gebonden is, RP-T-1916-24, Wouter Johannes van Troostwijk, 1802
wouter johannes van troostwijkurinating horses in art
Ground Plan for a Catafalque for the King of Sardinia, Vittorio Amedeo (d.1732), Giuseppe Galli da Bibbiena, circa 1732
drawings in the metropolitan museum of artgiuseppe galli da bibiena
Design for a Cup Supported by Standing Nudes with Standard of Seated Figure with Book and Bird, Jacopo da Empoli
drawings in the metropolitan museum of artdrawings by jacopo chimenti
Sheet of Figure Studies, Probably after the Antique (recto); Ornamental Designs (verso), Girolamo da Carpi, 1501–56
drawings in the metropolitan museum of artgirolamo da carpi
Golvend water met een roeiboot bij een boei, RP-T-00-298, Wigerus Vitringa, 1705
dutch 18th-century drawings in the rijksmuseum amsterdamwigerus vitringa
Gezicht op een haven bij een stadsmuur, RP-T-1888-A-1442, Willem Schellinks, between 1637 and 1678
landscape drawings in the rijksmuseum amsterdamdrawings of ports and harbours
Strandgezicht met afgemeerde schepen, RP-T-1888-A-1517, Abraham Storck, 1681
dutch 17th-century drawings in the rijksmuseum amsterdamabraham storck
Design for a Ceiling with a Woman (Aurora?) in a Chariot and Putti (Recto). Design for an Ornamental Frieze (Verso)., Marco Angolo del Moro, 1537–86
drawings in the metropolitan museum of artmarco angolo del moro
Design for a Ceiling with a Woman (Aurora?) in a Chariot and Putti (Recto). Design for an Ornamental Frieze (Verso)., Marco Angolo del Moro, 1537–86
drawings in the metropolitan museum of artmarco angolo del moro
Design for a Ceiling with a Woman (Aurora?) in a Chariot and Putti (Recto). Design for an Ornamental Frieze (Verso)., Marco Angolo del Moro, 1537–86
drawings in the metropolitan museum of artmarco angolo del moro
A Study for a Frontispiece: The Trinity and Saints surrounding the Sacred Hearts of Christ and the Virgin Mary, a Coastal Landscape Below, Vitus Felix Rigl, 1743–79
religious drawings in the metropolitan museum of artvitus felix rigl
The Grand Canal above the Rialto (recto); A Priest Celebrating Mass and Saint Vincent Ferrer Preaching (verso), Francesco Guardi, 1712–93
drawings by francesco guardi in the metropolitan museum of artrococo
Grotesque with a Leaping Centaur (verso), Marco Marchetti, 1560
drawings in the cleveland museum of artdrawings of centaurs
Design for a Ceiling with a Woman (Aurora?) in a Chariot and Putti (Recto). Design for an Ornamental Frieze (Verso)., Marco Angolo del Moro, 1537–86
drawings in the metropolitan museum of artmarco angolo del moro
The Grand Canal above the Rialto (recto); A Priest Celebrating Mass and Saint Vincent Ferrer Preaching (verso), Francesco Guardi, 1712–93
drawings by francesco guardi in the metropolitan museum of artrococo
2101 - 2200 of 2,800 Next page
/ 28